Deceptive Outward Appearance
From the structure of the short term projects and being
encouraged to work in different environments I have learnt that this course
allows you to be more open minded, whether certain pieces are successful or
not. As an artist, I have learnt to be more experimental in the way I work; a
strong aspect I have learnt to apply within this course.
Out of the three two week projects from the first part of
the course, I found the design ‘7 sites’ most exciting. I was applying mediums
into different contexts and as a result I created two spatial related outcomes.
It was from this and visiting exhibitions such as Phyllida Barlow’s RIG that I
realised I wanted to take the spatial/architecture pathway. A small aspect that
I enjoyed from the Platform project was my brief play with wool and how I used
it in relation to the studio space to define shapes for my final outcome. It is
from this I have developed my proposal for the Final Major Project.
My initial idea was generated from Felice Varini’s
anamorphic illusion paintings on urban spaces; deceptive images that play on
the viewers eye depending on the position they stand. I wanted to bring the
idea of deception in an architectural sense, focusing more on structure and
space. As a result, I decided to present this through materials and their
properties, particularly ones which are known to be most impractical for
architecture; such as wool, thread and yarn. The aim of this project is to
explore the use of these particular materials in greater depth and by the end
of the 6 weeks, to create an installation piece which gives the deceptive view
of impracticality. I plan on learning certain methods such as knitting, sewing,
weaving, stitching and any other embroidery related techniques to create both
2D and 3D outcomes. I also want to experiment with wool in relation to space
however unlike Platform, I want to explore out of the studio and look into
different sites and locations (and possibly connect these life size pieces to
broader issues in society). Another idea I hope to explore is to combine
different materials together, such as stitching wool through clear acetate or
patterned paper to see how this changes the impact on the viewer. Throughout
the duration of the project I will be looking at artists such as Amanda
McCavour, Maurizio Anzeri, Shaun Kardinal and Juliana Sabtacruz for inspiration
or to develop any of my ideas.
To evaluate my processes, I intend to keep an A5 sized journal
with me daily and to record anything related to the project. This would include
any drawings, photographic documentation, research, investigations, gallery
visits, as well as my reflective thoughts and any feedback given or changes I plan
to make.