Deceptive Outward Appearance
From the structure of the short term projects and being
encouraged to work in different environments I have learnt that this course
allows you to be more open minded, whether certain pieces are successful or
not. As an artist, I have learnt to be more experimental in the way I work; a
strong aspect I have learnt to apply within this course.
Out of the three two week projects from the first part of
the course, I found the design ‘7 sites’ most exciting. I was applying mediums
into different contexts and as a result I created two spatial related outcomes.
It was from this and visiting exhibitions such as Phyllida Barlow’s RIG that I
realised I wanted to take the spatial/architecture pathway. A small aspect that
I enjoyed from the Platform project was my brief play with wool and how I used
it in relation to the studio space to define shapes for my final outcome. It is
from this I have developed my proposal for the Final Major Project.
My initial idea was generated from Felice Varini’s
anamorphic illusion paintings on urban spaces; deceptive images that play on
the viewers eye depending on the position they stand. I wanted to bring the
idea of deception in an architectural sense, focusing more on structure and
space. As a result, I decided to present this through materials and their
properties, particularly ones which are known to be most impractical for
architecture; such as wool, thread and yarn. The aim of this project is to
explore the use of these particular materials in greater depth by learning
certain methods such as knitting, sewing, weaving, stitching and any other
embroidery related techniques to create both 2D and 3D outcomes. I want to
create two possible outcomes at the end of the project; one to take an abstract
approach whilst the other a more practical one. The conceptual piece out of the
two will placed within the site and will hopefully be more of an installation/sculptural
piece. The practical piece will be a model of a representation of the
architectural structure that I would plan to design on the site. However for
this the model itself would be made with thread whilst the realistic solution
would not (though it would be of a material with similar qualities).Throughout
the duration of the project I will be looking at artists such as Amanda
McCavour, Maurizio Anzeri, Shaun Kardinal and Juliana Sabtacruz for inspiration
or to develop any of my ideas.
To evaluate my processes, I intend to keep an A5 sized journal
to write down any quick notes, sketches as well as contain any small
experiments. I will also create a blog which will be the main asset to my
project as it will be the place where all my reflective thoughts and
self-evaluations go. It will where the viewer will be able to clearly follow
the progression of my project from start to finish, including any research,
experimental processes, final solutions or changes made. Lastly, I shall also
have an A3 sketchbook purely just to contain all photographic documentation of
my final models as well as any development sketches.